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“Moonlight Scab”

Cultural relics appraiser Jiang Jianwei received a rare white moonstone pendant. The stone was as transparent as cream, but there was a small dark scar in the center, like an unhealed wound. The seller added: “This stone is called ‘Old Dream Scab’. The wearer can see the previous life of the artifact, but the scar will spread every time it is used.”

The first time it was used was when appraising a Tang Dynasty guqin. Jiang Jianwei saw blood oozing from the body of the guqin, and she was playing it in ancient costumes – the strings broke before the last note was finished. After waking up, the scar on the moonstone had spread into a tree branch shape, and she had an old scar on her left wrist for no reason.

“That’s not a flaw, it’s the memory of the previous life scab in the stone.” The pawnshop owner stared at the half-black stone around her neck, “When the whole stone turns black, you will…” Before he finished speaking, Jiang Jianwei suddenly recognized him as the servant who handed over the poisoned wine in the guqin picture.

On a rainy night, the moonstone was completely black. The next day, a brand new white moonstone appeared in the display cabinet of the pawn shop, and Jiang Jianwei’s appraisal notes stopped at a certain page, on which the same sentence was repeatedly written: “It turns out that the one who should be appraised the most is myself.”

(The white moonstone is a metaphor for:
① Historical scars under the pure appearance
② Ability is a tracing of the self
③ Every use is a replay of fate
④ Eventually becoming evidence of the next reincarnation)